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News
Venice Review: May el-Toukhy’s Woman Unknown Bridges the Post-War Cinema of Petzold and Verhoeven
3+ day, 20+ hour ago (835+ words) The Film Stage Venice Review: May el-Toukhy’s Woman Unknown Bridges the Post-War Cinema of Petzold and Verhoeven The war has just ended and the summer has begun. It’s 1945 in Copenhagen, Denmark, and Nazi rule is no more. Hope abounds, but…...
Venice Review: The Color of the Sun Finds Sayombhu Mukdeeprom Elevating a Prototypical Coming-of-Age Story
3+ day, 20+ hour ago (541+ words) The Film Stage Venice Review: The Color of the Sun Finds Sayombhu Mukdeeprom Elevating a Prototypical Coming-of-Age Story It’s been a year since Kamei Yara’s dad disappeared. The 16-year-old who lives on Okinawa’s main island has been a bit of…...
Fatherland Trailer: Sandra Hüller Tours Europe in Paweł Pawlikowski’s Cannes Winner
3+ day, 21+ hour ago (237+ words) The Film Stage Fatherland Trailer: Sandra Hüller Tours Europe in Paweł Pawlikowski’s Cannes Winner Following Ida and Cold War, Paweł Pawlikowski returned to Cannes with Fatherland, a drama starring Sandra Hüller and Hanns Zischler, and which earned him a Best…...
U.S. Trailer for Pedro Almodóvar’s Bitter Christmas Presents a Tale of Autofiction
4+ day, 9+ hour ago (389+ words) The Film Stage U.S. Trailer for Pedro Almodóvar’s Bitter Christmas Presents a Tale of Autofiction After premiering in Spain and then coming to Cannes Film Festival, Pedro Almodóvar’s latest feature Bitter Christmas will finally be coming to North America this fall....
Venice Review: Casey Affleck Tells Dull Tall Tales With Company
4+ day, 19+ hour ago (125+ words) The dark thought, the shame, the malice,meet them at the door laughing,and invite them in. Be grateful for whoever comes,because each has been sentas a guide from beyond. There’s the occasional quote worth ruminating on (“crave normalcy,…...
Venice Review: Florian Zeller’s Bunker Is Bad Melodrama and Curiously Anti-Art
5+ day, 14+ hour ago (895+ words) The Film Stage Venice Review: Florian Zeller’s Bunker Is Bad Melodrama and Curiously Anti-Art The most interesting thing about Bunker is a moment of visual repetition. Early on, a husband and wife, Miguel (Javier Bardem) and Julia (Penélope Cruz), snicker…...
Love Is Not What It Seems In First Teaser for M. Night Shyamalan’s Remain Starring Jake Gyllenhaal
5+ day, 18+ hour ago (178+ words) The Film Stage Love Is Not What It Seems In First Teaser for M. Night Shyamalan’s Remain Starring Jake Gyllenhaal Back not a moment too soon (and off one of his best films), M. Night Shyamalan has directed Remain, a VistaVision-shot…...
Venice Review: Hirokazu Koreeda Delivers One of His Best Films with Look Back
6+ day, 16+ hour ago (623+ words) The Film Stage Venice Review: Hirokazu Koreeda Delivers One of His Best Films with Look Back After a period marked by ambition and drift in his work since winning the Palme d’Or for Shoplifters in 2018, Hirokazu Koreeda has returned to…...
Venice Review: Possible Love Marks a Triumphant Return for Lee Chang-dong
1+ week, 17+ hour ago (850+ words) The Film Stage Venice Review: Possible Love Marks a Triumphant Return for Lee Chang-dong In a year of unknown quantities at the Venice Film Festival, Lee Chang-dong’s Possible Love has delivered the triumph for which fans of the elusive director…...
Venice Review: Paul Schrader’s The Basics of Philosophy Is Too Inert to Catch Fire
1+ week, 18+ hour ago (951+ words) The Film Stage Venice Review: Paul Schrader’s The Basics of Philosophy Is Too Inert to Catch Fire A lone man sits at his desk reflecting on existence. Paul Schrader’s is an idiosyncratic and nomadic oeuvre, but whether set in the…...